![]() We recommend using an interface with more than 2 outputs so you can monitor the reamped track in real-time. You will need to record, listen back, tweak, and record again. Note: If you only have a 2×2 (2 inputs, 2 outputs) interface, Reamping is still possible. ![]() ![]() Remember, this process takes practice and you’re not going to be a reamping god overnight! This box allows you to send the track through multiple effects loops and even choose how much of the dry signal is retained – essentially letting you turn any guitar pedal into a parallel hardware insert. (500 series users, check out the EXTC 500). If all you aspire to do is send tracks through effect pedals such as a vintage Roland Space Echo, the Radial EXTC might be a better option for you. A helpful tip is to loop the track as you’re reamping – allowing you to adjust tone knobs, effect pedals and mic placement to get that “sweet spot” before hitting record. Now send the signal from the Reamper into whatever gear you have laying around the house and record it as you would have originally. If you are a 500 series user, the X-Amp 500 module is available. Our most popular reamper, the active X-Amp allows users to send two reamp tracks at once for extreme experimentation. The original John Cuniberti design is preserved in the Reamp JCR with a custom wound transformer. For introductory reamping, the ProRMP is a passive solution with a simple gain knob and ground lift switch. We’re now the leaders in the reamping market and make multiple products perfect for this process. Radial purchased the Reamp brand in 2010 from John Cuniberti, who first commercialized the design. If you don’t believe that this step is necessary, check out the comparison video by Creative Sound Lab (at the bottom of the article). This step is often missed when people are reamping, but is crucial to getting professional results.Ī Reamp box converts the balanced line level signal of your interface into an unbalanced instrument level signal with the proper impedance to be sent through guitar effects. Now connect this separate output into a Reamp box. In your DAW, set the output of the DI track to a separate output (i.e Output 3 if your monitors are connected to Output 1 & 2). No worries! It’s time to put that nice clean DI track to use. So now you’ve finished tracking all the instruments and you’re mixing the song, but somewhere along the way your heavily distorted amp stopped sounding good in this song. Step 2: Reamp the track and capture it again. This lets you record with the tone you’re used to while also giving yourself options in the future. Thus, you will record two tracks simultaneously: one clean DI track and one affected guitar track. Instead of your interface receiving an instrument-level signal, a DI will send the signal at mic-level, allowing your interface’s preamp to do all of the heavy lifting.īy using a DI box such as the J48, you can also still connect to your favorite pedals, amps and microphones using the “thru” output. The J48 tends to add more “air” to the sound of direct instruments by preserving high frequencies that sometimes get lost when using low-quality circuitry. Rather than plugging directly into your interface, using an active DI has many benefits. The best way to do this is to use an active direct box such as the Radial J48. To get the best results when reamping, you need a crystal-clear recording of the instrument. It was actually first used by bassists and the concept can apply to any audio clip you might have. Worst of all, the sounds you capture don’t work in the context of the final mix! By simply placing a DI Box between your guitar and your pedals or amp, you can preserve an unaffected guitar performance that might end up saving you having to re-record the part over again.īest of all, reamping isn’t just for guitarists. By the time you’re ready to record you’re more focused on the tone than the music itself. We’ve all been there: you get the inspiration to record a riff or song idea, but end up spending unnecessary time tweaking your amp, setting up mics, etc. It sounds arduous and time-consuming, but bear with me here: this process could actually save you tons of time and revolutionize the sound of your music. ![]() A popular adage with recording is “garbage in – garbage out”, implying that you’re doomed if you mess up the tracking process, but what if there’s a way around this?Īs the name implies, it’s where you take a pre-recorded track and “re-amplify” it back through a speaker to achieve a tone that properly suits the song. Getting a good guitar tone is easy, settling on the perfect tone is impossible until you can hear it in the context of the mix. Well, Radial Engineering wrote this great "how to" article to help you along, in the world of reamping. For those of you that are interested in Reamping guitars, but haven't tried it, or maybe you have and feel you are not getting the most out of it.
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